Review
------
"Dirty River is a candid and comic view from the tattooed
underbelly of contemporary life. There is no in this
survivor's tale, yet the sun does shine through these shadows,
making you cheer for the hero(ine) in her odyssey to know her
true self." ―Jewelle Gomez, author of The Gilda Stories
"Dirty River will give you back the life you stole and saved:
your own. In the tradition of June Jordan's Soldier, Audre
Lorde's Zami, Asha Bandele's Something Like Beautiful, and
Staceyann Chin's The Other Side of Paradise, Dirty River is a
memoir that will make you itch all over while you read it and
emerge having shed another layer of internalized doubt. You are
brave enough to face this honest, transformative work, because
you are brave enough to be who you are." ―Alexis Pauline Gumbs,
co-editor of Revolutionary Mothering
"Leah Lakshmi Piepzna-Samarasinha's newest book is the powerful,
badass, and important story of a young queer femme of color's
coming of age on her own terms. Intersectional and glittering and
raw, this book has bite―it's a kind of primal yell for all us
survivors of abuse, as we pull together and howl and love and
live." ―Randa Jarrar, author of A of Home
"Dirty River goes above and beyond being a story of survival; it
is a manifesto for those of us who have also been walking,
scantily clad, down dark alleys for most of our lives." ―Lambda
Literary
"Dirty River is a
biracial-abuse-survivor-queer-femme-working-class-immigrant-anarchist-punk
bomb that explodes the myth of LGBT sameness." ―The Globe and
Mail
"If you've been looking for more stories about badass queer women
of color, get this book yesterday. Leah Lakshmi
Piepzna-Samarasinha tells the tale of running away to Canada with
what she could stuff into two backpacks and discovering queer
anarchopunk while grappling with her past. She's relatable,
funny, and brave; we need more of these stories." ―Book Riot
"A brilliant book ... Piepzna-Samarasinha challenges traditional
narratives around gender, domesticity, and motherhood with a more
specific focus on her journey to separate from her abusive mother
and give birth to herself as a mixed brown, working class,
disabled femme." ―Bitch Media
"In this transformative memoir, Piepzna-Samarasinha details being
a queer, disabled woman of color coming of age among young queer
punks in Toronto, running from the abuse of her past. This
tragicomic tale is filled with what activists now call
intersectionality, but in terms of literature, it’s raw and
passionate and wrenching -- and it belongs on shelves next to
Audre Lorde's Zami or the pioneering This Bridge Called My Back."
―The Advocate
"Dirty River is a candid and comic view from the tattooed
underbelly of contemporary life. There is no in this
survivor's tale, yet the sun does shine through these shadows,
making you cheer for the hero(ine) in her odyssey to know her
true self." —Jewelle Gomez, author of The Gilda Stories
"Dirty River will give you back the life you stole and saved:
your own. In the tradition of June Jordan's Soldier, Audre
Lorde's Zami, Asha Bandele's Something Like Beautiful, and
Staceyann Chin's The Other Side of Paradise, Dirty River is a
memoir that will make you itch all over while you read it and
emerge having shed another layer of internalized doubt. You are
brave enough to face this honest, transformative work, because
you are brave enough to be who you are." —Alexis Pauline Gumbs,
co-editor of Revolutionary Mothering
"Leah Lakshmi Piepzna-Samarasinha's newest book is the powerful,
badass, and important story of a young queer femme of color's
coming of age on her own terms. Intersectional and glittering and
raw, this book has bite—it's a kind of primal yell for all us
survivors of abuse, as we pull together and howl and love and
live." —Randa Jarrar, author of A of Home
"Dirty River goes above and beyond being a story of survival; it
is a manifesto for those of us who have also been walking,
scantily clad, down dark alleys for most of our lives." —Lambda
Literary
"Dirty River is a
biracial-abuse-survivor-queer-femme-working-class-immigrant-anarchist-punk
bomb that explodes the myth of LGBT sameness." —The Globe and
Mail
"If you've been looking for more stories about badass queer women
of color, get this book yesterday. Leah Lakshmi
Piepzna-Samarasinha tells the tale of running away to Canada with
what she could stuff into two backpacks and discovering queer
anarchopunk while grappling with her past. She's relatable,
funny, and brave; we need more of these stories." —Book Riot
"A brilliant book ... Piepzna-Samarasinha challenges traditional
narratives around gender, domesticity, and motherhood with a more
specific focus on her journey to separate from her abusive mother
and give birth to herself as a mixed brown, working class,
disabled femme." —Bitch Media
"In this transformative memoir, Piepzna-Samarasinha details being
a queer, disabled woman of color coming of age among young queer
punks in Toronto, running from the abuse of her past. This
tragicomic tale is filled with what activists now call
intersectionality, but in terms of literature, it’s raw and
passionate and wrenching -- and it belongs on shelves next to
Audre Lorde's Zami or the pioneering This Bridge Called My Back."
—The Advocate
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About the Author
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Leah Lakshmi Piepzna-Samarasinha : Leah Lakshmi
Piepzna-Samarasinha is a queer disabled femme writer and
performer of Burgher/Tamil Sri Lankan and Irish/Roma ascent. She
is the author of the poetry collections Love Cake and Con
Genocide and co-editor of The Revolution Starts at Home.
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